A special series of critical texts exploring the exhibition and also delving into a wider discussion considering the future of cinema.
See below to read and click through to Daniel Miller's Hypercyber, Laura Allsop's Artist's Cinema and Eliza Tan's The Dead Man is (Not) Dead.
Hypercyber
Daniel Miller
Daniel Miller is an art critic and journalist, who lives in Tel Aviv. He writes for periodicals such as Frieze and Art Monthly, and teaches philosophy at the International Academy of Art in Ramallah, where he has just finished the book Atlas/Machine.
The Dead Man is (Not) Dead:
On Hauntings and Invocations
Eliza Tan
Eliza Tan is a London-based writer and independent curator. A regular contributor to the Ctrl+P Journal of Contemporary Art, her articles have been published in magazines including Art Asia Pacific and the Singapore Biennale Review, as well as in numerous exhibition and artists' catalogs. Her current research centres on hauntology and spectral space in relation to alternative film, video art and expanded cinema.
Artist's Cinema
Laura Allsop
Laura Allsop is a freelance writer on arts and culture with a special interest in video and film art. She has written for publications including Art Review, Frieze and Modern Painters, as well as The Guardian and CNN websites.
Publication
UnSpooling – Artists & Cinema
Price £8.
UnSpooling – Artists & Cinema is accompanied by a publication that includes texts by Andrew Bracey and Dave Griffiths, plus contributions from Professor Steve Hawley (Manchester Metropolitan University) and Dr. Janet Harbord (Queen Mary, University of London).
Available from Cornerhouse Publications online at: www.cornerhouse.org/books
